the place – – tanka

the place . . .

home of an ancient pine

on rippled rock

we commune with the waves

hear words in the spray

©️ 2019 Ontheland

Matsuo Basho visited many famous trees on his travels. One was the pine with twin trunks at Takekuma. This stop on Basho’s journey is the subject of Frank Tassone’s November with Basho Day 9 quote from the Narrow Road to the Interior. Basho’s words remind me of places I’ve been on the Canadian Shield.

Image: uploaded on Pixabay by prettysleepy1


courage – – haibun

It takes courage to live, courage to die, to shed tears, to mourn. We talk of swords, fights, and battles but it is the language of the carp (koi) that captivates me. Like the willow, the carp knows how to follow the wind…and when necessary, has strength to swim upstream. In an ancient myth, a school of carp finds itself travelling against the current. Some turn back but others persevere when they encounter a waterfall. After many attempts one jumps to the top and becomes a dragon.

In this era we tend to think that we know everything, while in fact there is so much we do not know about ourselves, about each other, and the natural world we live in…there are many unopened doors locked by deception, ignorance, and shame waiting to be opened when we dare.

fire dragon

born of koi

one with the wind



©️2019 Ontheland

Image : Koinobori, flags in the shape of koi (carp)

These ruminations were inspired by the seventh quote in Frank Tassone’s November with Basho series based on Basho’s Narrow Road to the Interior:

Crossed on the ferry at Tsukinowa to the post town of Se-no-ue to see the ruins that were Sato Shoji’s house, beyond town to the left, near the mountains. We were told to look at Saba Moor in Iizuka, and we eventually came to Maru Hill where the castle ruins lay. Seeing the main gate sundered, the ancient temple nearby, seeing all the family graves, my eyes glazed with tears…

Sword, chest and wind-carp

all proudly displayed

on Boys’ Festival Day

Basho, “Narrow Road to the Interior,” translated by Sam Hamil, The Essential Basho, pg. 11-12


half moon – – haibun

Unpleasant appointments loom in my calendar — though not always cushioned by pleasurable events, they are…this time. Nonetheless they continue to tap at the edge of my composure, vying for my anxious attention.

half moon

directly above

a fresh field of snow



©️2019 Ontheland

Prompted by Frank Tassone’s November with Basho Day 6:

A little anxious, thinking of the Shirakawa Barrier, thinking on it day by day; but calmed my mind by remembering the old poem, “somehow sending word home.” I walked through heavy green summer forests. Many a poet inscribed a few words at one of the Three Barriers–“Autumn Winds” and “Red Maple Leaves” come to mind. Then, like fields of snow, innumerable white-flowered bushes, unohana, covered either side of the road…


around my head

dressed for ancient rites [Sora]

(note: Sora was a poet and traveling companion of Basho during his travels through the North.)

Basho, Narrow Road to the Interior, translated by Sam Hamil, The Essential Basho, pg. 9

willow shade – – haibun

Words replay and reform under the sun and moon…on water, on mountaintops, in forests….Matsuo Basho thought of the poems of Saigyo on his 1689 trek. He visited a willow where Saigyo wrote this poem over 500 years earlier:

At the side of the road

The willow’s shade

Where clear water flows

Thinking “Just for a while”

I stayed on

~ Shinkokinshu

In Basho’s time Saigyo’s willow was by a rice field. He wrote:

Rice-planting done, they

depart — before I emerge

from willow shade

~ Narrow Road to the Interior

Willows border a rural road near my home. Their long branches add elegance to the flat terrain. William Carlos Williams (1883 – 1963) wrote of willows in autumn:

It is a willow when summer is over,
a willow by the river
from which no leaf has fallen nor
bitten by the sun
turned orange or crimson.
The leaves cling and grow paler,
swing and grow paler
over the swirling waters of the river
as if loath to let go,
they are so cool, so drunk with
the swirl of the wind and of the river—
oblivious to winter,
the last to let go and fall
into the water and on the ground.



willow shade

silent whispers

of ancestors


©️2019 Ontheland

Prompted by Frank Tassone’s Day 5 of November with Basho

Image courtesy of Pixabay

life plans

life plans

trailing the sun

few birds twitter

this cold November night

a shift to C minor



©️2019 Ontheland

Inspired by November with Basho Day 2:

Very Early on the twenty-seventh morning of the third moon, under a predawn haze, transparent moon barely visible, Mount Fuji just a shadow, I set out under the cherry blossoms of Ueno and Yanaka. When would I see them again?…

Spring passes

and the birds cry out– tears

in the eyes of fishes

Sam Hamill (Trsl.), The Essential Basho, page 4

spinning – – haibun

“The moon and sun are eternal travellers”




spinning: the moon, the sun, planet earth, solar systems, the Milky Way … a spiral dance to eternity.


what we always have

known and lost



©️2019 Ontheland

Thank you to Frank Tassone for offering a November with Matsuo Basho feature, using for inspiration Basho’s The Narrow Road to the Interior as translated by Sam Hamill. Day 1’s excerpt is this:

The Moon and Sun are eternal travelers. Even the years wander on. A lifetime adrift in a boat, or in old age leading a tired horse into the years, every day is a journey, and the journey itself is home…

Even this grass hut

may be transformed

into a doll’s house

Basho, “Narrow Road to the Interior” The Essential Basho (Trsl. Sam Hamill) pg. 3,4