At first I skirt around the Requiem. I am looking for music by Fauré that is as beautiful as the Pavane I heard the other day, but I am not sure I am in the mood for somber choral music. Clicking on the options, the Requiem’s closing section, In Paradisum, plays and I find it fits my mood after all … on this quiet day in late December, when the first year of a new decade will soon begin.
While I doubt Paradise is on the immediate horizon, longer days and spring are on the way…and as long as I breathe, there are opportunities to live a bit better, to offer more.
deep winter
no fireplace or falling snow
just the peace of Fauré
.
.
©️2019 Ontheland
For a listen to Fauré’s Paradisum:
And for Matsuo Basho’s farewell to his companion, Sora, on his journey to the Interior:
“Sora, suffering from persistent stomach ailments, was forced to return to his relatives in Nagashima in Ise Province. His parting words:
sick to the bone
if I should fall, I’ll lie
in fields of clover
He carries his pain as he goes, leaving me empty. Like paired geese parting in the clouds.
Now falling autumn dew
obliterates my hatband’s
“We are two”
I stayed at Zensho-ji, a temple near the castle town of Daishoji in Kaga province. It was from this temple that Sora departed last night, leaving behind:
All night long
listening to autumn winds
wandering in the mountains
…”
Basho, “Narrow Road to the Interior,” translated by Sam Hamill, the Essential Basho, p. 32-33, an excerpt from Frank Tassone’s Day 23 and final episode of November with Basho
Reblogged this on Frank J. Tassone and commented:
#Haiku Happenings #6: Janice’s latest #haibun inspired by the last in my “November with Basho” series!
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Thank you, Frank. I enjoyed your series very much.
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I am playing the music right now to fully understand your haiku… breathtaking Janice.
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I’m glad the music appealed to you … it was a welcome discovery for me.
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